Blog #209--Stone Levitation Demonstrated

There are legends claiming ancients knew the secret to raising heavy stones into the air against gravity without direct lifting. It is one of the theories associated with building the Great Pyramid at Giza. It is also a consideration in the Coral Castle created by Edward Leedskalnin in Homestead, Florida. And stories emanating from the Himalayas suggest monks learned to use sound to levitate heavy objects.

Stone levitation was demonstrated by Tibetan monks in 1939. This was reported by Bruce Cathie, who’s writings about this phenomenon appear in David Childress’s book “Anti-Gravity and the World Grid.” Cathie has done some extremely precise mathematical evaluations of the Earth’s harmonics and discovered consistencies unknown to most scientists or the general public. His life’s work is far too complex for a short article, but his report for Childress is an eye opener.

Cathie summarizes an earlier report from a Swedish doctor named Dr. Jarl, who traveled with a Tibetan friend to a Tibetan monastery in 1939 to treat a sick high lama. Due to his important role and his extended stay, he learned things Tibetans rarely share with outsiders. He was taken to an area where there was a steep cliff face with a cave entrance around 250 meters above ground. The monks were building a platform and rock wall in front of the entrance to the cave. Monks were lowering themselves down to the cave by ropes from the top of the cliff.

In the middle of a meadow adjacent to the rock face lay a polished rock slab with a bowl-shaped depression in the center. This bowl area was one meter in diameter and 15 centimeters deep. The set-up used by the monks to raise this stone had to be organized precisely; the following describes it:

“A block of stone was maneuvered into this cavity by Yak oxen. The block was one meter wide and one and one half meters long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 meters from the stone slab.

“The radius of 63 meters was measured out accurately. The musical instruments consisted of 13 drums and 6 trumpets (Ragdons). Eight drums had a cross-section of one meter, and a length of one and one half meters. Four drums were medium size with a cross-section of 0.7 meters and a length of one meter. The only small drum had a cross-section of 0.2 meters and a length of 0.3 meters. All the trumpets were the same size. They had a length of 3.12 meters and an opening of 0.3 meters.

“The big drums and all the trumpets were fixed on mounts which could be adjusted with staffs in the direction of the slab of stone. The big drums were made of 1 mm thick sheets of iron and had a weight of 150 kg. They were built in five sections. All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks.”

When everything was in place, sound production began. The monks started singing and chanting a prayer, slowly increasing the speed and intensity of their sound. When combined with the drums and trumpets, a loud sound was produced with a specific vibration. After four minutes, the large stone began to rock back and forth before rising up and over to land softly on the platform in front of the cave. The “flight” took 3 minutes.

The monks repeated this behavior throughout the day, transporting 5-6 stones per hour on a parabolic path approximately 500 meters long and 250 meters high. Dr. Jarl, fearful he would be accused of being hypnotized, made two films. Each confirmed what he had witnessed. Unfortunately the organization for which Dr. Jarl worked confiscated his films and classified them, with a target date of 1990 for their release. It is unknown whether that ever occurred.

Cathie concludes that the monks understood physical laws present day scientists have yet to rediscover. He doesn’t believe the actual prayers had anything to do with levitation; any words might do. His explanation follows:

“The secret is in the geometric placement of the musical instruments in relation to the stones to be levitated, and the harmonic tuning of the drums and trumpets. The combined loud chanting of the priests using their voices at a certain pitch and rhythm most probably adds to the combined effect.”

According to neighbors, Leedskalnin did not produce loud sounds while transporting massive blocks of coral to his special home. But sound is merely one of many types of vibration. Duplicate the vibration generated by the monks, determine the precise distance from the object needed to move it, and anyone can levitate heavy objects.

Unlocking the secrets of this phenomenon will open up a new world of opportunity for industrious humans, should they ever take the subject seriously enough to pursue it. Regardless, if individuals like Leedskalnin, who used only simple tools and knowledge of electromagnetism, could perform feats we still call miraculous, then so can anyone determined to explore possibilities.

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